We recently saw a small selection of Dutch photographer Viviane Sassen's images at London's Hotshoe Gallery for their latest exhibition, 'Other I'.

Sassen's contribution to the group show that also features work from Alec Soth and Wassinklundgren (a partnership between Thijs groot Wassink and Ruben Lundgren) features images taken from her personal work, focusing on her childhood country, Kenya.

The work, which appears as a compelling mix of fashion and portraiture (Sassen has produced work for publications such as as I-D, Dazed & Confused, Fantastic Man, VOGUE France, Numéro, 10 and POP, along with advertising campaigns for Miu Miu, Adidas, Stella McCartney and Louis Vuitton) is concerned with childhood memories and challenging conventional western depictions of Africa, whilst maintaining a surreal ambiguity that functions as an admission of her own limited (all be it better than most) understanding of the continent.

The beauty and impact of these large scale prints really have to be seen to be believed.

Sassen's latest book, Parasomnia, is available now, published by Prestel, and her prints are currently on show at Moma in New York, as well as London's Hotshoe Gallery.

Hurry Up, We’re Dreaming is the 6th album from French artist Anthony Gonzalez.

Described as a mix between the synth-pop of Saturday’s = Youth and the more ambient work of Before the Dawn Heals Us, the album is about dreams and how every one is different, how you dream differently when you’re a kid, a teenager, or an adult.

Spanning over 2 CDs each song has a sister track on the other disc tying both CDs together.

Have a listen to the album here

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Based on Christopher Hampton’s play The Talking Cure, A Dangerous Method tells the story of the turbulent relationship between the father’s of psychoanalysis – Carl Jung and Sigmund Freud – and the beautiful but troubled woman that comes between them, Sabina Spielrein (Keira knightly).

More remarkable than the Freud-Jung feud that she catalysed, Spielrein, initially diagnosed by Jung as suffering from ‘psychotic hysteria’, would ultimately become a prominent psychologist herself - the second female member of the Vienna Psychoanalytic Society and a key (but seldom recognised) figure in bringing Russian psychology to prominence in the 20th Century.

It's a remarkable and fascinating story that's beautifully adapted for the big screen.