A Child of the Jago
APC
AT
Acne
Ames Bros
Ash
Belstaff
Bolongaro Trevor
Castaner
Cheap Monday
Comme Des Garcons
Diesel
Diesel Black Gold
Folk
Fred Perry Laurel
Fred Perry x Liberty
G-Star
Grenson
H by Hudson
Havaianas
Humor
Icon Eyewear
J Lindeberg
King Krash
LTD
Long Clothing
Lost Property
Lyle & Scott
M Tokyo Japan
Natural Selection
Nigel Cabourn
Nudie
Oliver Spencer
Our Legacy
PRPS
Passarella Death Squad
Paul Smith - Accessories
Paul Smith - Jeans
Paul Smith - London
Paul Smith - PS
Paul Smith - Shoes
Paul Smith - Watches
Penguin
Pretty Green
Priestley's Vintage
Red Dot
Red Wing
Religion
Scotch and Soda
The Hill-Side
Tues Night Band Practice
Unconditional
Universal Works
Vivienne Westwood - Jewel
Volta
Worn Free
YMC
we are tuktuk
Bag
Bathrobe
Bauble
Belt
Boots
Boxer Shorts
Car
Cardigan
Coat
Cufflink
Dog Bowl
Dog Collar
Dog Lead
Earring
Flipflop
Gillet
Gloves
Handkerchief
Hat
Jacket
Jeans
Knit
Leather Jacket
Mug
Parka
Ring
Scarf
Shirt
Shoes
Shorts
Socks
Stationery
Suit
Sunglasses
Sweat
T Shirt
Tie
Toothbrush
Towel
Trainer
Trouser
Umbrella
Underwear
Vest
Waistcoat
Wallet
Watch
RAF BY RAF SIMONS
Raf Simons - graduated in industrial design. Started working as a furniture designer for galleries and private interiors. In a radical change of profession in 1995 he became a self trained menswear fashion designer. Lives and works in Antwerp, where his studio is based. Teaches fashion at the University of Applied Arts in Vienna and acts as a consultant/buyer to a private Antwerp art collector.
Although they are impeccably cut and created with love and care, clothes are not at the core of Simons’ universe. More important are attitudes, moods and statements. That’s why music, art, performance, images and words have an important role in the whole package. Together with the clothes, those elements sum up, or rather clarify the kind of world Raf Simons wants to project. In an attempt to examine today’s mens and boys psyches (and in the same take his own), he takes his inspiration from the rebellion of past and present youth cultures and blends this with notions of tradition and roots.
Pride in individuality – his clothes are both inspired by and designed for confident outsiders. His references to youth movements (punk, Goth and mod etc) are not meant to be retro; instead Simons tries to translate their energy and determination into modern statements about mental independence. Simons has many ways to avoid the trappings of the fashion system, most notably his choice of models. Disagreeing with the common images of male beauty and identity forwarded by most fashion magazines and advertising, Simons from the start of his career only used non-professional models, often scouting them on the streets of Antwerp or other Belgian villages.